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Alternate Versions. Rate This. A color-blind psychiatrist Bill Capa is stalked by an unknown killer after taking over his murdered friend's therapy group, all of whom have a connection to a mysterious young woman that Capa begins having intense sexual encounters with.

Director: Richard Rush. Available on Amazon. Added to Watchlist. From metacritic. Erotic Movies. Share this Rating Title: Color of Night 5.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Nominated for 1 Golden Globe.

Edit Cast Cast overview, first billed only: Bruce Willis Bill Capa Jane March Sondra Scott Bakula Bob Moore Brad Dourif Clark Lance Henriksen Buck Kevin J.

Casey Andrew Lowery Dale Eriq La Salle Anderson Jeff Corey Ashland Kathleen Wilhoite Michelle Shirley Knight Edith Niedelmeyer John Bower Medical Examiner Avi Korein Edit Storyline Psychologist Bill Capa gives up his practise when he unintentionally pushes a patient to commit suicide.

Taglines: Five Suspects. Two Lovers. One Killer. Nothing is what it seems Edit Did You Know? Wendy Kurtzman was given the job thanks to working with Disney.

Maxim magazine also awarded Color of Night for having the Best Sex Scene in film history [4] ; Rush was especially proud of the award, and he kept the award in his bathroom.

From Wikipedia, the free encyclopedia. Theatrical release poster. Hollywood Pictures Cinergi Pictures. Release date. Running time.

Box Office Mojo. Retrieved July 11, The Numbers. Retrieved December 20, Extra U. TV program. December 6, Archived from the original on June 28, Retrieved July 9, Los Angeles Times.

Toledo Blade. Rotten Tomatoes. Retrieved December 4, August 19, Archived from the original on November 10, Retrieved November 10, Grand Central Publishing.

Fox August 23, The Los Angeles Times. Retrieved January 11, The Pantagraph. Archived from the original on March 28, He feels tremendous guilt for the accident.

In fact, he feels so much guilt that the trauma of seeing so much red blood pooling on the street from the suicide has left him unable to see that particular color in anything but shades of gray.

He has come to L. His buddy, Bob Moore Scott Backula , is a highly successful psychiatrist and author who lives in an exotic mansion high up in the Hollywood Hills.

But shortly after arriving in L. These five individuals share a deep connection with Bob in addition to possibly having a reason to kill the psychiatrist.

Now Capa is forced to defend himself from the police, fend off several mysterious attacks and intrusions by the killer, and take over the group therapy session for his late friend—all while trying to maintain a highly sexual relationship with a gorgeous young woman whom he met by chance in a fender bender.

Perhaps this is one flaw in the film that more sophisticated viewers found unforgiveable. Though Rush denies it in the audio commentary, many viewers felt the mystery of the film was ruined by the obvious clues to the killer within the film.

Complicating things is the extreme success Moore has had both in his practice as well as in the publishing of a major book that has earned him millions.

The police inspector also picks up on this competitive angle in their relationship, too, driving it home far too bluntly. My interpretation is simply that the police inspector, superbly played by Ruben Blades, is just that kind of guy.

He revels in emotionally torturing each suspect, cursing them, using slurs, and generally acting unprofessionally and outrageously throughout the running time of the film.

Just as both doctors have more complicated backgrounds than they let on, so does the police inspector. And, in the end, though his manner and techniques remain detestable, he proves to be one of the good guys after all.

Likewise, all the character actors that comprise the therapy group are excellent in their portrayals. Brad Dourif is nearly unrecognizable as Clark, an unemployed lawyer with an OCD complex that has so paralyzed him he can barely leave his house.

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He revels in emotionally torturing each suspect, cursing them, using slurs, and generally acting unprofessionally and outrageously throughout the running time of the film.

Just as both doctors have more complicated backgrounds than they let on, so does the police inspector. And, in the end, though his manner and techniques remain detestable, he proves to be one of the good guys after all.

Likewise, all the character actors that comprise the therapy group are excellent in their portrayals. Brad Dourif is nearly unrecognizable as Clark, an unemployed lawyer with an OCD complex that has so paralyzed him he can barely leave his house.

Normally quiet and mild-mannered, he can be explosive when the right buttons are pressed. Lesley Ann Warren supports as a nymphomaniac so consumed with sex that every relationship she has is either physical or heading in that direction.

Has her sexually-fueled life embroiled her in a murder plot? Kevin J. Could it be with the killer?

And finally, there is B-horror movie icon Lance Henriksen, who chews the scenery up as an ex-cop guilt-ridden at the loss of his wife and young daughter.

He is angry as hell and trained in weaponry. Finally, there is Jane March, who was starring in only her second film. Only 19 years old at the time, she was barely 21 when she appeared, nearly constantly nude and in several steamy sex scenes with Bruce Willis, in Color of Night.

Rose shows up whenever she wants and Capa cannot turn her down. March is one of the loveliest women to grace the silver screen, ever.

Neither is she shy about disrobing or partaking in steamy and erotic scenes. The Australian Roadshow Entertainment video release is the only way to see the film fully uncut in that country.

It features the infamous "pool scene" where Willis's penis floats up next to Jane March's head when she is underwater. US video and laserdisc versions include a R-rated director's cut with 17 minutes of footage deleted from US theatrical version; among restored scenes are a shot showing Bruce Willis completely naked and more sequences describing the lesbian relationship between Jane Marsh and Lesley Ann-Warren.

The European version has a clear shot of Willis' penis as March kisses her way down his naked body in the pool scene. The pool scene has been slightly censored in the Italian theatrical release, but it was restored in the home-video version.

The pool sex scene in the UK version is followed by extra footage showing Willis and March kissing each other on a sofa completely naked as they roll over and tumble onto the floor.

The European version contains a scene in which March sings lullaby to Willis as he falls asleep naked on the bed. March then rushes downstairs and leaves the house.

In the US version, the scene where Willis and March have sex on the dining table follows the pool scene immediately.

In the European version, the same scene takes place later before the two sunbath on the poolyard. The sex scene in the steamy shower between Willis and March follows the scene in which they stumbled onto the floor naked for the European version.

That same scene was preceded by a scene absent in the European version in which March serves Willis dinner in the nude for the US version.

The sex scene on the bed was more extended in the US version following the head-to-waist shot depicting the sweating bodies of Willis and March with a scene showing Willis positioning himself behind March's rear.

The French and Italian version show an extra shot absent in the US version of Willis diving into the pool before kissing his way up March's naked body.

Andrew Vanja, the head of Cinergi Productions started a trade war in the Hollywood tabloids stating that Richard Rush was the reason the film failed.

Rush soon suffered a heart attack that required a triple bypass and he recovered, Rush had personally told him to his face that the film would fail if Disney released Vanja's version which was completely compromised and was deemed distasteful for its gratuitous nudity that was covering up for the films' storyline that was completely ruined.

Vanja would not give him foreign rights because it was already released the same day as the US release date, but did grant Rush all home video rights and it has been "his" version that has been available on DVD and VHS for a very long time.

Kino Lorber has just recently released both versions of the film on Blu-Ray with the compromised Minute theatrical cut being released for the first time ever.

Carmine Zozzora, who was Bruce Willis' best friend and associate producer on the film met Jane March, Willis' co-star before filming after she had been cast and immediately hit it off to the point that they actually got married.

After filming started, Zozzora started to interfere with the films more sensual scenes making demands of both Willis and Richard Rush to the point that Rush was starting to get upset.

He offered him this film which was written by Billy Ray. Vanja then told Rush that he already had Bruce Willis attached to the project because one the producers was one of the heads of CAA.

Vanja also told Rush that he could tailor the script to his liking. However, that didn't happen as writer Matthew Chapman was also brought in by the studio for additional rewrites.

Also, Rush was misled to the fact that he had final cut on the film and ultimately did not leading to the films two controversial versions.

Director trademark [Richard Rush]: carefully planned out shots to connect the end of a scene with the beginning of the next one.

For example, after Scott Bakula's character dies, a helicopter flies by in the background. The next shot features Bruce Willis being pulled out of a cop car.

A helicopter light shining down on him. The sound of a helicopter plays over both shots, connecting the two. After seeing Rush's unimpaired version, they give him critical raves for it.

Soon after the film was finished, Richard Rush was fired by Andrew Vanja which was a violation of the Director's Guild because according to their rules, it was too far into the process to do so.

Vanja retaliated with his own butchered version of Rush's original cut. For the first time in this film, Director Richard Rush used stunt people.

It was also vital for the finale of the film where Bruce Willis saves Jane March on the platform which Rush wanted all filmed in one take and not edited from several takes.

Director Richard Rush wished to hire an unknown young actress to play the female lead, but both Disney and Cinergi wished to hire Jane March after the international success of "The Lover".

Rush agreed to hire March after seeing her screen-test; it made both Disney and Cinergi very happy. The Malibu house used as a main setting is the same house similarly used in Ritual Steve Railsback was the first choice for Buck.

After the film was released, Richard Rush submitted his version to the MPAA to secure a rating, which he hoped as an R rating as he had intended from the beginning of filming.

He got the R rating that he wanted which enraged Andrew Vanja questioning the ratings board as to why Rush's version was not worse than his.

They felt that the nudity in Rush's version was done more tastefully than Vanja's which was pushing the envelope towards an NC due to the explicit intended nature of those scenes.

Richard Rush stated that the production was a smooth one from beginning to finish until the post-production. Richard Rush considered other actors for the role of Lt.

Martinez and was immediately impressed by Ruben Blades and cast him instantly. Paul Verhoeven had a Sharon Stone upskirt shot?

Well, we'll get superstar Bruce Willis to hang dong. Basic Instinct's central mystery involved the villain dressing as another character? Our red herring doesn't just dress as another character: she presents herself as another gender, and has a multiple personality disorder, to boot.

Basic Instinct had graphic sex scenes? Dude, one of ours will take place across multiple locations and will be so lengthy that the characters involved will have to pause for a meal in the middle of it".

In the trailer there is a conversation between Martinez Ruben Blades and Bill Capa Bruce Willis , it seems like an attempt to give Willis's psychologist character more depth, but it's laughably unconvincing as follows: "Tell me about this Monday group".

In the new Blu-Ray commentary, Richard Rush stated that "he was proud of the film because it was a very difficult concept. It was his sex film!

Bob Moore's therapist office where the groups sessions took place was in fact a set while the scenes outside the window with the view of Los Angeles were miniatures.

This was the last recorded score by Richard Rush's friend, Dominic Frontiere. Which was recorded in London. Color of Night milks the fact that it's an erotic thriller, as on two different covers it says: Sizzling Onto Video February 7th!

In Killer Cars: Color of Night available on YouTube , the narrator humorously talks about the car chase, "You know, back in high school a buddy of mine drove one of these transams.

They're nice cars, but if Bruce can outrun him long enough, it'll run out of gas pretty quick". Wendy Kurtzman was given the job thanks to working with Disney.

She would give Rush a cast that he did approve of and was more than satisfied with. Bruce Willis had casting approval. No kidding.

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